Just to clarify one thing: I get asked a lot
to represent artists and I'm happy to do so if 1) The artist has a
substantial body of work to their name, not just a handful of paintings,
I like their work and think it will sell 2) they are willing
to pay for me to promote them and their work. Of course, I can hear the
very loud gasp of derision but before you do so, please look me up on
google and see the many things that I do. I frequently work 13 hours a
day straight. In order to get an artist a sale, a tremendous amount of
time and effort has to go into promotion on social media, endless
networking and frankly, badgering the press to feature photos and
stories. You may have noticed as well that setting up exhibitions and
the one day gallery costs a lot of money, sourcing sponsorship and the
like. I do appreciate that paying to be promoted goes against the grain
of wanting to be acknowledged on the basis of merit alone. Of course! I
agree. But consider this- there are a lot of artists vying for the
attention of buyers and a bit like finding a needle in a haystack unless
that artist has preferably slept with someone famous and can get
plastered all over the press, they are facing an uphill struggle.
Furthermore artists need a track record and gravitas- a list of public
and private collectors to their name, residencies, group and solo
exhibitions and a a CV that proves that they have put in the years
required to be taken seriously and have honed their craft. What I can do
and have done is get an artist a good dose of visibility for their
work. And the buyers will come. And while I'm doing all that, the artist
gets to paint. A famous agent to the stars used to charge a huge
monthly retainer. If anyone ever asked him for a discount or begged and
pleaded poverty, that agent simply refused. How was he after all, meant
to do the best job for his clients if they didn't want to pay him in the
first place? So unless you're planning on sleeping with a
footballer and selling your story to the press.....
Photo copyright SvD.
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